Tuesday, November 21, 2017
Monday, November 20, 2017
I know this is different for every author, but for me, almost always, a series starts with a specific scene. However, thinking about it further, it starts even before that.
I am a fan of a good story in just about any format - book, movie, spoken, etc. I love to lose myself in the world and the characters. One of my favorite activities for my imagination is to invent new characters who I plop down into the middle of my favorite stories - just in my head of course. I've thought of a daughter for Gandalf in Lord of the Rings, a love interest for Sirius Black in the Harry Potter series, or just a random person who comes along after the story ends and picks up where things left off. Often I am inspired by several ideas from several sources - mashing them all together to create something different.
Blue Violet and my Svatura series got started--with several inspiration points. I loved the idea of a shifters in general. I combined that with different people having different shifts (rather than all the same), like the animagus in the Harry Potter series. Next I pulled in Malificent from Disney's Sleeping Beauty--adding a dragon. However, I didn't want anyone with magic to be able to easily figure out how to shift, so it needed to be an inherent ability.
As frequently happens, I then reinvented my initial idea several times using a series of "what ifs". What if my character could do this, or that, or the other? My new character started adding animals to her list of shifts. Because one animal is good, but more animals... better. At first they were all flying animals - I kept the dragon and added a falcon, a hummingbird, and a butterfly.
For those of you who've read Blue Violet, you can probably guess that my character eventually turned into Ellie. She kept the falcon (and maybe the dragon too ;) ) and added a jaguar and a wolf. I mean, if you're going to be able to shift into multiple animals, might as well make them powerful ones. Right?
But just having those awesome morphs wasn't enough for my character. I had to give her something to do with them. I usually like stories where someone has a bad ass ability that no one else knows about. When they finally reveal that ability, it's a big deal. And that's how the initial scene I mentioned came about. I had my character protecting a group of people she knew but who didn't know what she was. From afar of course. And then she is forced to reveal who/what she is when they are actually attacked.
Can you guess which scene this became in Blue Violet? Yup - the scene where Ellie turns into a jaguar (after being a falcon) and fights the wolves who attack Lila, Adelaide, and Nate.
Blue Violet. From there, I had my own unique world and set of characters who I already loved--they needed their own stories, leading into a full series. But the inspiration came from sources that already sparked my imagination. I found the same situation has happened for each of my series. Ideas floating around that morph into a single scene and the series develop from there.
Authors, what about you? How do you find your inspiration?
Sunday, November 19, 2017
Thursday, November 16, 2017
Captain Marcus Viator's well-organized life is turned upside down by the free-spirited female from Earth. Problems with the starship prevent him from returning her to her home. Fate brings them together. Treachery tears them apart. Is their love strong enough to reunite them?
Tuesday, November 14, 2017
Sunday, November 12, 2017
Saturday, November 11, 2017
Excerpt from Seducing the Dark Prince
About Seducing the Dark Prince
Jane Kindred is the author of the Harlequin Nocturne series, Sisters in Sin, and the epic fantasy series The House of Arkhangel’sk, Demons of Elysium, and Looking Glass Gods. She spent her formative years ruining her eyes reading romance novels in the Tucson sun and watching Star Trek marathons in the dark. She now writes to the sound of San Francisco foghorns while two cats slowly but surely edge her off the side of the bed.